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A Kiss

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megan christian

Details |
ISO 640 … 35mm … f/7.1 … 1/200

Intent |
Engagment Portrait

Comments |
These are my friends, Megan and Christian, who are getting married in June. We shot this yesterday in Golden Gate park, just before the fog came in the like The Mist and took our sunshine away. Shooting this alone, I put my camera on a tripod and used a timer to release the shutter every 10 seconds. I was standing 6 feet behind the camera, catching sunlight coming over the top of the tree and bouncing back under to fill in the shadows.

Deep Shadows

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lux

Details |
ISO 200 … Lensbaby … N/A … 1/1250

Intent|
Portrait

Comments |
This was taken in bright sun light using a Lensbaby. I wanted his hairline to blend into the distant hillside. In the RAW file there is much more detail in the shadow that became distracting. In Lightroom, when i brought in my shadows and darks it got heavy. Then I brought in the blacks and it got rich. Then I converted to grayscale and split toned. He was wearing a white shirt that that was too “hot” so I doubled processed the RAW file and and used the darker one to mask in a more underexposed version to balance it out.

Lighting The Ice

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Details |
ISO 400 … 16mm … f/5.6 … 1/320 sec

Intent |
Fun, freestyle.

Comments |
Clearly, I explored this subject matter. You may even be tired of it by now. But I’m making a point. When you find something that works, work it. Go at it a hundred different ways. You will be amazed at what happens. I was at a Joe Buissink workshop late last year and he said people tell him he’s lucky, to which he replied, “No, I just throw myself on luck’s path as often as I can.” This has resonated with me since. This evening in particular is an example of just that. I didn’t set out to get a shot of the dog doing anything at all. I just took my camera on a walk so I was ready if and when luck can running by.

Changing The Mood

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adam squig

By pulling the most of the color out of this image, I effectively change the mood. I like the tension created by the look in Adam’s face coupled with Squiggy’s protective surveillance.

Remember To Turn Around

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adam squig

ISO 100 … 1/200 sec … f/5.6 … 17mm

Here is an example of making good use of a puddle on the shores of Lake Tahoe. What lots of people often miss is the power of tools available to us all in the natural photo studio that mother nature provides. In the last few posts, my camera was aimed in the direction of the sun, forcing me to tweak the raw file pretty hard to open up the shadows while holding down the highlights. It also requires that I go black and white. I can’t push a color image that far. It’s just not what I want. In cases of extreme contrast, my vision is better communicated with a split-toned black and white. But, as the sun got low, it was so gorgeous and I was so excited that I had to remind myself to also shoot in the other direction. Soft sunlight coming in sideways lights everything equally. It’s like having a massive soft box with a warming gel. Expose for the highlight and let the rest go to shadow. It’s much easier than shooting into the sun.

Keep On Shooting

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squiggy puddle

1/640
f/5.6

As the sun dropped, I really wanted to make good use of the larger puddles of water that formed on the beach. I held my camera just off the surface of the water, aiming up slightly with my wide angle lens. After a handful of frames, Adam said “Get him!” and Squiggy ran right at me. In the past, I might have stood up to avoid getting bulldozed and stopped shooting. But after years of photographing, it’s finally instinctual to keep on shooting when something unexpected happens. Because you never know what you’re gonna get and you sure as hell can’t recreate it.


This image is discussed in fredmiranda.com’s photography forum here.


Magic in the Dark

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adam-squig SIL. in tahoe color_Forum

1/6400
f/4.5

In order to get this shot, I had to position the camera about an inch off the ground in the shadow of Adam’s head, while not looking through the view finder (as I wasn’t into getting cold muddy sandy sludge all over me by lying down). Squiggy stayed still for a little bit, but kept moving her head around. This was shot 13 of 24, each one a little different. Dogs are tough to photograph. They require more patience and more frames.

This image is discussed in fredmiranda.com’s photography forum here.

Tahoe in Black and White

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adam-squig in tahoe B/W

1/1000
f/5.6

I went to Tahoe over the weekend with my friend Adam and his dog, Squiggy. We had an unbelievably gorgeous friday at Squaw Valley, where the Space Cowboys showed up with the UNIMOG and rocked the apres ski patio. Saturday was the Snow Fest parade, which closed through traffic in Tahoe City. So we headed for Northstar, where unbeknown to us, they were having a big contest. The place was a nightmare till we got further up the mountain. We skied uncrowded Rendezvous most of the day, going as fast as we could, every run. So much fun… On our way home, we stopped at King’s Beach to take the dog for a walk. But once we got to the water’s edge, I looked through my wide-angle lens and saw the makings for some great imagery. We shot for an hour plus and did a lot of good work. The dog had no idea I was trying to make a classic portrait, so I had to be rather patient and hope that she would give me something that complimented where I’d positioned Adam. While he stayed still, she walked all over the place and I got this. I will release more images from this shoot as the week progresses.

[see forum discussion on this image]


DJ Solomon

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solomon

This is Solomon on his boat on his birthday. Something I like to do is explore reflections in a mirror, which I’ve done here. We’re in the shade of the canopy which evens the light out on his face (no shadows). I tried to make a split-tone out of this, but the top left hand corner was problematic as it is the lightest part of the frame and became distracting. By leaving it B/W, it’s much less pronounced.

Photojournalism/Portraiture

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kylie

This image is a good example of how fences are coming down and lines are blurred between different areas of photography. This is my friend Kylie, at SF Lovefest, who had ridden the Pink Mammoth float during the parade and was now fanning herself with a Supperclub fan while standing on their float. It looks as though we set the whole thing up, but I had my 70-200mm and she was just having fun. I followed her with my camera and kept firing, hoping for a winner. This image was later used for promotion.

My Uncle Chip

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chip

Last night I went to my parents house for dinner, where my Dad gave me an article from the ARCE (American Research Center in Egypt) Bulletin written about his brother who we recently lost to leukemia. He was 62. He spent much of his later years in Egypt heading archaeological preservation projects. I recently posted a video slide show of our family reunion in Maine, last summer. Here is what was published in the Al-Ahram Weekly in Cairo.

Robert (Chip) Vincent (1945-2007)
By Michael Jones

On Monday 5 November 2007 a memorial was held for Robert (Chip) Vincent at the American Research Center in Egypt (ARCE). Over 100 of Chip’s colleagues and friends attended. When he died on 11 October, aged 62, Chip had been battling with leukemia for over a year. His death brings to an end a distinguished career in cultural heritage preservation in Egypt and elsewhere. At the time of his death Chip was still working on the final stages of a book which he had conceived for ARCE some three years ago. It is a retrospective volume about the 50 conservation projects he directed and successfully completed for ARCE during his 12 years with this organisation. It is therefore a good place to start to recall Chip’s achievement. It is also a clear testimonial to the way that Chip saw all of those who worked with him as participants in a shared accomplishment.

Chip came to Egypt in 1994 to set up a new venture for ARCE because it had just received a generous grant from the United States Agency for International Development for the conservation and preservation of Egypt’s cultural heritage. Out of this the Egyptian Antiquities Project was created as a unit within ARCE. The ARCE director at that time was Mark Easton, and between them, Easton and Chip forged a new mission for ARCE to the extent that the ARCE of today is very much their legacy.

There was another fortunate coinciding of events and people. Abdel-Halim Nureddin, Gaballa Ali Gaballa and Zahi Hawass have all been thoroughly supportive, widening the scope of collegiality to include their staff and all the inspectors of the Supreme Council of Antiquities with whom ARCE has worked.

Chip’s background was in archaeology and management. He participated in over 30 excavations and surveys in many countries including Britain, Cyprus, Jordan, Syria, Iraq and Afghanistan. During the 1980s he directed projects for the Sultan of Oman, developing water resources, and immediately prior to Egypt he spent six years as the executive director of the Institute of Nautical Archaeology at Texas A&ampM University.

Some of the first projects established in those early years of USAID-funded ARCE conservation projects were in Historic Cairo: at the Bait Al-Razzaz, the Zawiyah of Farag Ibn Al-Barquq, and the Sabil of Nafissa Al-Baydah. Outside Cairo, collaborative projects began with Chicago House at the Luxor Temple and Medinet Habu and with New York University at Abydos, recognising that the very raw material of Egyptology, comprising many of the most famous Pharaonic sites and monuments, require urgent conservation to safeguard their future survival.

Within a year of the initial grant USAID was confident enough to award ARCE further funding in 1995, which fell to Chip to administer, for conservation projects at the monasteries of St Anthony and St Paul and the Ottoman Fort at Qusseir (Red Sea) and in the tomb of Seti I in the Valley of the Kings. Each new project increased the number of colleagues and friends and the professionals who directed and participated in them and created an enduring team of colleagues who became friends with a common vocation dedicated to the preservation of Egypt’s cultural heritage. That is how Chip saw us.

Chip was also an accomplished photographer, especially in black and white, and mounted several exhibitions of his work from his schooldays onwards. He lamented the passing of conventional photography in favour of digital, as much for the risk posed to the survival of photographers’ skills as for the quality of images, but he accepted it and started exploring ways in which it could enhance project documentation. His time in Oman planted a love of the desert in Chip’s heart which he developed to the full in Egypt, organising and leading four-wheel drive expeditions which he planned meticulously. He once admitted to me that he enjoyed the planning, obtaining reliable maps (when possible), establishing GIS points and discussing the routes with friends more than the trips themselves. He relished the difficulties. Particularly memorable was his triumphant return from the difficult drive between the Roman quarries at Mons Porphyrites and Mons Claudianus in the Eastern Desert. Chip was also a keen scuba diver and not only enjoyed diving in the Red Sea but also promoted two underwater conservation-archaeology projects for ARCE.

Chip’s last summer was spent with his family at their new home in Maine, where he was able to work on his retrospective book and, among other excursions, take a four-day sail on a tall ship with his daughter. His wonderful sense of humour and ability to conduct himself with dignity and care for others, especially during his last struggle, were inspirational. He is survived by his wife, Fran, and daughters, Sarah and Suzannah.

© Copyright Al-Ahram Weekly. All rights reserved

Slash

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komal slash

1/100
f/2.8

When you spend enough time looking through the lens, you can start to see the world as if you were a camera. After all, a camera is really just a very adjustable third eye with a recorder on it. Recently, my friend Komal picked me up at the airport and while at his house, he recounted the celebrity rockstar party I’d missed while away. When he put his slash costume on, I went for my camera. I knew what kind of image I could make with my 70-200mm lens and the light from his two-story, 16 window living room wall was awesome to say the least. In Lightroom, the image has been split toned to add some warmth to the hightlights and a cool tone to the shadows.

Lux on Dex

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lux on dex

Here is an image I made of my friend Lucky, entertaining us at his house. It’s the same evening I made this one of our friend, Guy, laughing in the kitchen. This is where I love having top gear. I’m shooting slow moving action in extremely low light but it’s no problem using my 5D with a 16mm lens at 2.8 with a film speed of 3200 ISO. Shooting RAW and processing in Lightroom allows my final vision to be realized. If you care about your images AT ALL, start shooting RAW. Even if you don’t understand it. Just do it. Trust me. Later you’ll understand and thank me. I promise. Plus, memory is cheap as chips these days, so go for the big SanDisk cards. That’s the brand I trust more than any other in the card market. As for the multiple card readers, I’ve heard from a top pro that he experienced an error during import and many of his files just went missing. Unless you’re on a tight schedule, I would download one card at a time. I use the SanDisk reader.

 

Nature’s Portrait Studio

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lux at the lake

[taken w/ iPhone]

A nice benefit to photographing people in bright daylight when snow or water is part of the scene, is that those elements not only add to the image in terms of subject matter, but that they essentially become natural sun reflectors. This creates scenery with fantastic natural lighting conditions. Here is a great example of both water and snow acting as reflectors to fill in the shadows.

Freeze Action

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lux kicking snow

[taken w/ iPhone]

Last week during the storm, I got excited and headed for Tahoe. We left Wednesday evening and braved the snowy summit in the dark. Thursday morning, we arrived at Alpine Meadows to find about 50 cars in the parking lot… It was very cold and visibility was not so good. But knee deep powder in the trees made it worth while. We got all the goods on Friday too. Saturday morning, as we were resting our achy muscles, we checked out Squaw. It was bright and sunny and hard not to go ride. But years ago as ticket prices went flying past $50, I vowed not to ride on weekends and spend half the day in line. So instead, we went up to the lake, had a leisurely breakfast and walked over to the lake’s edge at Sunnyside. Here, my friend Lucky is kicking snow from a dock directly at the camera, providing for a great opportunity to create something interesting by freezing the action with a single frame. We did this over and over. It’s hard when you’re dealing with a camera that has the dreaded delay, especially for those of you with kids. You almost always miss the shot… And I was shooting with my iPhone. I had to say ‘Go!’ and then click the shutter, hoping the timing would be right. There were a lot of botched attempts, but we nailed this one. And I gotta say, I’m really impressed that I captured this with a camera phone.

A Portrait of My Father

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dad

1/250
f/2.8

My Dad :)

Boothbay, Maine

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Last summer, I spent a week with my family on Monhegan Island and Boothbay in Maine. Boothbay is where one of my two uncles moved with his wife while he saught treatment for leukemia the last couple of years. Chip was an adventurer, often coming to visit with wild tales that seemed almost Indian Jones-like. He had the same sparkle in his eye my father does. My cousins and the rest of the family were all there together for several days, looking at very old family photos and eating lots of lobster. Chip passed away several months ago, bless his soul. We miss him dearly, but he will remain in our hearts. Here is a slide show I made of our time together. Remember to cherish the special people in your life. It all happens way too fast…